{"id":10532,"date":"2019-08-10T11:55:31","date_gmt":"2019-08-10T02:55:31","guid":{"rendered":"http:\/\/www.museonmuse.jp\/?p=10532"},"modified":"2019-08-10T12:27:08","modified_gmt":"2019-08-10T03:27:08","slug":"vol-100-tyler-bryant-and-the-shakedown-august-2019-2","status":"publish","type":"post","link":"https:\/\/www.museonmuse.jp\/?p=10532","title":{"rendered":"Vol.100 Tyler Bryant and the Shakedown \/ August 2019"},"content":{"rendered":"<p><span style=\"color: #ff0000; font-size: x-large;\"><strong>Tyler Bryant and the Shakedown <\/strong><\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" style=\"border: 0px currentcolor; display: inline; background-image: none;\" title=\"\" src=\"http:\/\/www.museonmuse.jp\/wp-content\/uploads\/2019\/08\/TBSD0406.jpg\" alt=\"\" width=\"350\" height=\"233\" border=\"0\" \/><\/p>\n<p>A promising Rock guitarist \/ Singer \/ Songwriter Tyler Bryant and his band The Shakedown has released their 3rd original studio album \u201cTruth and Lies\u201d. Tyler has been working for Rock kings like Jeff Beck, Aerosmith, AC\/DC and Guns N&#8217; Roses as a tour musician and build his solid skills and confidence.<br \/>\nThe new album \u201cTruth and Lies\u201d displays his signature Blues Rock sound, uplifting Hard rock tunes and supreme Rock ballads, and it fascinates wide range of rock fans than ever.<br \/>\nOf course guitar performance Tyler Bryant himself stands out in those tracks. The outstanding solo in the end of \u201cCouldn&#8217;t See The Fire\u201d sounds like the guitar itself sings emotional melodies and it proves why he is considered as a future generation guitar hero. Graham Whitford who also plays a guitar in the band must also be mentioned for his beautiful play alongside Tyler.<br \/>\nTyler took some time to talk to Muse On Muse about the real Rock album \u201cTruth and Lies\u201d<\/p>\n<p><!--more Read more--><\/p>\n<p>Interview \/ Text\u00a0 Mamoru Moriyama<br \/>\nTranslation\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Hiroshi Takakura<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" style=\"border: 0px currentcolor; display: inline; background-image: none;\" title=\"\" src=\"http:\/\/www.museonmuse.jp\/wp-content\/uploads\/2019\/08\/TBSD0133.jpg\" alt=\"\" width=\"350\" height=\"233\" border=\"0\" \/><br \/>\n<span style=\"font-size: xx-small;\">Tyler Bryant and the Shakedown l to r : Graham Whitford[Guitar], Tyler Bryant[Lead Vocals\/Guitar], Caleb Crosby[Drums], Noah Denney[Bass]<\/span><\/p>\n<p><span style=\"color: #ffcc99;\">Muse On Muse : Your fantastic new album \u201cTruth and Lies\u201d just came out. It is based on Blues rock but it also showcases your versatility and skills of playing from Hard rock to emotional ballads. What did you aim for when you were working on this project?<\/span><br \/>\nTyler Bryant : We just aimed to be as true to ourselves as we could. I consider the Shakedown to be a pretty eclectic band and none of us wanted to shy away from that to fit within the confines of one particular genre. I\u2019m very proud of how versatile this record is and believe that the sound of the band provides enough musical continuity to tie it all together.<\/p>\n<p><span style=\"color: #ffcc99;\">MM : A producer\/engineer Joel Hamilton, who is famous for works with The Black Keys, Highly Suspect, Tom Waits and many others, joined forces with you for this project. What did you expect from working with him?<\/span><br \/>\nTB : I knew from listening to records that he\u2019d worked on that he was a vibe guy. That\u2019s really all I knew going into it, but it was all I really needed to know. I think he did a great job at capturing the Shakedown.<\/p>\n<p><span style=\"color: #ffcc99;\">MM : We heard you made 55 demo tracks for this album. What and how was the process to make such many demo tracks?<\/span><br \/>\nTB : I\u2019m constantly writing and recording, so these sorts of things just happen. I prefer to work quickly and instinctually and sometimes think of writing as \u201cthrowing paint.\u201d Sometimes you end up with something beautiful and sometimes you don\u2019t. I spend so much time making demos, but I do believe that us having a lot of the ideas sorted out before going into the studio allowed us to be more in the moment with our playing and singing.<\/p>\n<p><span style=\"color: #ffcc99;\">MM : How did you narrow down from 55 to 13 tracks?<\/span><br \/>\nTB : We sat at my kitchen table and all wrote down our favorites. The four of us agreed that 27 had potential, so we learned and rehearsed all 27. The lucky number 13 made themselves obvious once the Shakedown got hold of them.<\/p>\n<p><span style=\"color: #ffcc99;\">MM : The album displays superb sounds which have a real rock feeling and musicianship. How was the recording process?<\/span><br \/>\nTB : Thank you. We tracked the bones of the album live and did hardly any \u201cfixing.\u201d To me it gives the album that dangerous quality that I love in rock and roll.<\/p>\n<p><span style=\"color: #ffcc99;\">MM : You have toured with Hard Rock giants like AC\/DC and Guns N&#8217; Roses. What kind of influences did those have on you?<\/span><br \/>\nTB\uff1aThose bands drove home the idea that it\u2019s all about the song. They\u2019ve influenced our live show, our songwriting, and our overall work ethic.<\/p>\n<p><span style=\"color: #ffcc99;\">MM : The music video of \u201cShock and Awe\u201d is stunning. Please explain about this tune.<\/span><br \/>\nTB : We wanted to tie the \u201cOn To The Next\u201d single cover in with the actual album cover. Caleb has a huge love for snakes and brought up that he\u2019d love to see snakes slithering to the \u201cShock &#038; Awe\u201d riff. I called my friend Josh Kranich and within a couple of days, the video was done. Going back to that idea of \u201cthrowing paint,\u201d sometimes it turns out beautiful.<\/p>\n<p><span style=\"color: #ffcc99;\">MM : Groovy vocal melodies on \u201cOn To the Next\u201d are very impressive.<\/span><br \/>\nTB : That track started with the drums. The guitar riffs, vocal melodies, and lyrics were inspired by the groove. I\u2019ve always been a fan of rhythmic vocals as Chris as Robinson is one of my favorite writers. This song is tip of the hat to that style.<\/p>\n<p><span style=\"color: #ffcc99;\">MM : As the song title suggests, \u201cDrive Me Mad\u201d is the real driven Rock track.<\/span><br \/>\nTB : Talk about working quickly and instinctually, Graham and I wrote this song in about 10 or 15 minutes. We felt like making a fast rocker, so we did just that.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" style=\"border: 0px currentcolor; display: inline; background-image: none;\" title=\"\" src=\"http:\/\/www.museonmuse.jp\/wp-content\/uploads\/2019\/08\/TBSD5606.jpg\" alt=\"\" width=\"350\" height=\"262\" border=\"0\" \/><\/p>\n<p><span style=\"color: #ffcc99;\">MM : The emotional guitar solo towards the end of \u201cCouldn&#8217;t See the Fire\u201d is in motion and outstanding.<\/span><br \/>\nTB : This is one of my favorite moments on the album. I finished this solo and felt dizzy cause I had forgotten to breathe. This happens often when I get carried away by the music. I wanted to re-do it after my second take and Joel told me no. I\u2019m glad he stopped me because the emotion behind the solo is exactly what it needs to be. The band builds so beautifully and I run out of frets and the strength to bend any higher. Then the record is over. On to the next.<\/p>\n<p><span style=\"color: #ffcc99;\">MM : The album takes listeners to a journey from punchy Rock to beautiful ballad \u201cOut There\u201d and \u201cShape I&#8217;m In\u201d. How did you manage to make an up and down story of this album?<\/span><br \/>\nTB : The arch of the album was very important to us. We chose the songs that we felt like would take the listener on a journey. It\u2019s a very versatile record, but the sound of the band provides enough continuity that I think we can get away with it. The thought of being confined to one genre seems boring to me. We love rock, we love blues, and occasionally we love to break it down.<\/p>\n<p><span style=\"color: #ffcc99;\">MM : There are two guitarists in your band, Graham Whitford and yourself. I could hear the differences between Strut sound from you and Graham&#8217;s Les Paul but how did you assign roles when you write songs?<\/span><br \/>\nTB : It happens naturally. We\u2019ve spent so much time playing together that it all kind of happens without much conversation. I feel grateful that it happens that way. Also, Graham takes the first solo in \u201cCouldn\u2019t See The Fire\u201d and it\u2019s totally sick.<\/p>\n<p><span style=\"color: #ffcc99;\">MM : Please tell us your gears. What kind of guitars, amps and pedals did you use for this project?<\/span><br \/>\nTB : The pedal that appears on every single song is actually my signature overdrive pedal. It\u2019s called the TB Drive and is made in Germany by a company called Rodenberg.  As far as fuzz pedals go, I used some Jext Telez devices, a ZVEX Mastotron, a vintage Dallas Arbiter, and the natural sound of this old radio that was turned into an amp by a company called Square Amps. Lots of small Fender amps were used and my guitars were the usual suspects. My two main pink Strats, my white Strat (The Judge), my \u201859 custom shop Tele, the \u201831 National Duolian reso, and my D\u2019Angelico Deluxe DC were my go to guitars for this album.<\/p>\n<p><span style=\"color: #ffcc99;\">MM : Please tell us your upcoming plans.<\/span><br \/>\nTB : We\u2019re about to kick off a co-headlining tour with The Temperance Movement and are planning to get back to Europe in the fall. We have so many shows we need to play. I can\u2019t wait.<\/p>\n<p><span style=\"color: #ffcc99;\">MM : Please leave a message to your fans.<\/span><br \/>\nTB : To all the shakers out there, I can\u2019t wait for you guys to sink your teeth into this album. Come sing it with us when we come to a city near you. Thanks for your continued support.<\/p>\n<p>Tyler Bryant and the Shakedown official site : <a href=\"http:\/\/www.tylerbryantandtheshakedown.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/www.tylerbryantandtheshakedown.com\/<\/a><\/p>\n<p><iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/CddIwB3KOH4\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p><iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/NdQwQdBB5y4\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" style=\"border: 0px currentcolor; display: inline; background-image: none;\" title=\"\" src=\"http:\/\/www.museonmuse.jp\/wp-content\/uploads\/2019\/08\/TBSD_Cover_Album_Final-Final.jpg\" alt=\"\" width=\"240\" height=\"240\" border=\"0\" \/><br \/>\n<strong>Tyler Bryant and the Shakedown \/ Truth and Lies<\/strong><\/p>\n<p>01. Shock and Awe<br \/>\n02. On To The Next<br \/>\n03. Ride<br \/>\n04. Shape I&#8217;m In<br \/>\n05. Eye To Eye<br \/>\n06. Panic Button<br \/>\n07. Judgement Day<br \/>\n08. Drive Me Mad<br \/>\n09. Without You<br \/>\n10. Trouble<br \/>\n11. Out There<br \/>\n12. Cry Wolf<br \/>\n13. Couldn&#8217;t See The Fire<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/7KAu22Uam2on7ZzDp41w72\" width=\"300\" height=\"380\" frameborder=\"0\" allowtransparency=\"true\" allow=\"encrypted-media\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tyler Bryant and the Shakedown A promising Rock guitarist \/ Singer \/ Songwriter Tyler Bryant and his band The Shakedown has released their 3rd origina [&hellip;]<\/p>\n<p><a class=\"more-link\" href=\"https:\/\/www.museonmuse.jp\/?p=10532\">\u7d9a\u304d\u3092\u8aad\u3080<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[11],"tags":[],"class_list":["post-10532","post","type-post","status-publish","format-standard","hentry","category-features-english"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.museonmuse.jp\/index.php?rest_route=\/wp\/v2\/posts\/10532","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.museonmuse.jp\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.museonmuse.jp\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.museonmuse.jp\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.museonmuse.jp\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=10532"}],"version-history":[{"count":3,"href":"https:\/\/www.museonmuse.jp\/index.php?rest_route=\/wp\/v2\/posts\/10532\/revisions"}],"predecessor-version":[{"id":10543,"href":"https:\/\/www.museonmuse.jp\/index.php?rest_route=\/wp\/v2\/posts\/10532\/revisions\/10543"}],"wp:attachment":[{"href":"https:\/\/www.museonmuse.jp\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=10532"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.museonmuse.jp\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=10532"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.museonmuse.jp\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=10532"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}